For The Met’s 2021 Roof Garden Commission, Philadelphia-based artist Alex Da Corte has created a 26-foot-tall kinetic sculpture featuring the beloved Sesame Street character Big Bird and the modern aesthetic of Alexander Calder’s standing mobiles. The Roof Garden Commission: Alex Da Corte, As Long as the Sun Lasts will be on view April 16 through October 31, 2021.
The work is comprised of a base with three interlocking pieces and a mobile component that sways and rotates gently with passing air currents.
With his design, Da Corte evokes the liveliness and unpredictability of Calder’s practice, while also emphasizing a do-it- yourself inventiveness by fashioning the base of the work in the modular language of an outdoor activity set by Little Tikes, which requires no tools for assembly and can be easily reconfigured.
Suspended from near the top of the sculpture, covered in roughly 7,000 individually placed laser-cut aluminum feathers, Big Bird is found perched on a crescent moon with a ladder in hand—suggesting the possibility of passage back to Earth or to other galaxies.
Sitting alone, gazing out at the New York skyline, Big Bird has an introspective, melancholic disposition that is amplified by Da Corte’s decision to render the character in blue instead of yellow. This choice of color also gestures to the artist’s personal associations with Big Bird: growing up partially in Venezuela, he watched the Brazilian version of Sesame Street, in which Big Bird’s counterpart, Garibaldo, was blue. The color also alludes to the 1985 film Sesame Street Presents: Follow That Bird, in which the character, while out on a road trip, is captured and painted blue by two carnival operators.
The title for the commission comes from a collection of whimsical short stories by the Italian author Italo Calvino about the potential of new explorations.
As Long as the Sun Lasts was conceived by the artist in consultation with Sheena Wagstaff, Leonard A. Lauder Chairman of Modern and Contemporary Art, and Shanay Jhaveri, Assistant Curator of International Modern and Contemporary Art, both of The Met’s Department of Modern and Contemporary Art. It is the ninth in a series of site-specific commissions for the outdoor space.
The exhibition is accompanied by a publication featuring an interview with the artist along with essays by Jhaveri and Jack Halberstam,
The publication is made possible by the Mary and Louis S. Myers Foundation Endowment Fund.